Harold Pinter scares people. His plays can be obtuse, his characters off-putting and brittle. He likes to juggle time, tossing conversations around in a scene so that some characters occupy one plane ...
side 1: Don Byas with Hot Lips Page and his Orchestra. These Foolish Things; side 2: "Hot Lips" Page and his Orchestra. Six, Seven, Eight, Or Nine (Commodore 574).
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