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Why the cello feels like the sound of human emotion
Across cultures and genres, listeners consistently describe the cello as “human,” a rare case where an instrument’s emotional ...
Performances in N.Y.C. Advertisement Supported by Historical response to the cello endpin, which anchors the instrument to the floor, has alternated between acceptance and pushback. By Max Keller ...
A classically-trained, New England Conservatory grad is helping the Boston orchestra A Far Cry kick off the new series, ...
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