A scene from Act 2 of the Metropolitan Opera's Aida production The Met retains the pseudo-realistic sets and costumes from 1987. The show looks like an Italian opera representation of Egypt in the ...
Editor’s note: This is the first in a three-part series of reported commentaries on the future of opera. NEW YORK — It’s a big house. The Metropolitan Opera seats nearly 4,000 people up into its fifth ...
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