Few contemporary films about unresolved childhood abuse — which is always unresolved, in the end, anyway — cut as narrowly close to the bone as Elliot Tuttle’s two-hander masked as provocation, “Blue ...

Though it might sound like five minutes of a Todd Solondz movie stretched to nearly 20 times that, Elliott Tuttle’s feature debut certainly goes the distance, even if its uncompromising nature will be ...